I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

vrijdag 6 maart 2015

Charlotte Brontë Quotes for Independent Readers


March 5, 1839 is the date atop a letter penned by Charlotte Brontë that would prove a defining moment in the life of the Jane Eyre author. In the letter, Charlotte, eldest of the famous poet sisters, refuses a promising offer of marriage from the Reverend Henry Nussey. Clergyman and brother of her good friend Ellen Nussey, Reverend Nussey embodied many of the traits of a practical marriage -- namely stability and accessibility to friends and family -- something of which the twenty-three-year-old Charlotte would have been all too aware. But with a rather impressive amount of self-awareness, Brontë turned him down with a gentle hand, assuring him that her temperament and his role in the church would be a poor fit. The letter itself harkens back to all of the best aspects of Brontë's writing: her passion, sagacity, honesty, and above all her free spirit. This week in history, Biographile pays tribute to one woman's refusal to let social standards dictate her life choices by featuring some of her most independent and self-reliant words.

1. "I will never for the sake of attaining the distinction of matrimony and escaping the stigma of an old maid take a worthy man whom I am conscious I cannot render happy." (Letter to Reverend Henry Nussey, 1839)

2. "I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself." (Jane Eyre, 1847)

3. "I am no bird; and no net ensnares me: I am a free human being with an independent will, which I now exert to leave you."(Jane Eyre, 1847)

4. "No mockery in this world ever sounds to me so hollow as that of being told to cultivate happiness. What does such advice mean? Happiness is not a potato, to be planted in mould, and tilled with manure." (Villette, 1853)

5. "God did not give me my life to throw away." (Jane Eyre, 1847)

6. "Conventionality is not morality." (Jane Eyre, 1847)

7. "Liberty lends us her wings and Hope guides us by her star." (Villette, 1853)

8. "School-rules, school-duties, school-habits and notions, and voices, and faces, and phrases, and costumes, and preferences, and antipathies — such was what I knew of existence. And now I felt that it was not enough; I tired of the routine of eight years in one afternoon. I desired liberty; for liberty I gasped; for liberty I uttered a prayer; it seemed scattered on the wind then faintly blowing." (Jane Eyre, 1847)

9. "I don't think, sir, that you have a right to command me, merely because you are older than I, or because you have seen more of the world than I have; your claim to superiority depends on the use you have made of your time and experience." (Jane Eyre, 1847)

10. "I avoid looking forward or backward, and try to keep looking upward." (Qtd Elizabeth Gaskill, The Life of Charlotte Brontë,1870)

11. "If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends." (Jane Eyre, 1847)
biographile-charlotte-bronte

Brontë Society Gazette. Issue 65

Letter from the Editor by Belinda Hakes and Helen Krispien
Brontë Society Conference 2014 by Julie Akhurst
Report from the Leadership Team at the Brontë Parsonage Museum
Brontë Society Literary Lunch. Saturday 11 October 2014 by Kathleen Shortt
Bernard Herrmann returns to Haworth by Charissa E. Hutchins
"The Death of Keeldar" by Kathleen Shortt, Representative of the Brontë Society Scottish Branch
Secrets and spies at Brussels Brontë talk on Villette by Emily Waterfield, Brussels Brontë Group
Membership News: New developments; Improving communication.
Emily Brontë writes a Critical Thinking Exercise from When Critical Thinking Met English Literature by Belinda Hakes.Brontë Society Gazette. Issue 65

donderdag 5 maart 2015

William Gaskell's study

Today is World Book Day - this is a peek inside William Gaskell's study which is full of books for visitors to browse. Why not share with us your favourite book by Elizabeth Gaskell and why
 
 

woensdag 4 maart 2015

Andrew James Galloway 's photographes of Haworth

Andrew James Galloway putted some of the photographes he made on the Facebookpage Haworth & Top Withens 2007.
His comment: ""some from eight years ago ... how time flies!!""
Thank you that I can share them on this weblog, Andrew
I love the photo's special the ones with the horse and with the sheep!!!
 
 
 
 
 




maandag 2 maart 2015

Nice reaction om my blog

I received a nice email from Tony. I always love it when someone who is reading my blog gives a reaction. I love it too when it is someone who is living in the neigbourhood of Haworth or one of the other places known by the Brontes. Tony is living in Scarborough, so the place Anne Bronte loved and also the place she died in and it is the place she is buried in. Tony sent me some of the  pictures he made. I am showing them here. Thank you so much Tony.
 
Hallo There,
I have just come across your webpage about the Bronte's and I find it very interesting. I have had a great interest after watching the DVD (about 8 times so far) and reading the Book (I am now on my 2nd. reading)  Images of both attached I have visited the Parsonage and Anne Bronte's grave at Scarborough (Image attached ) and I shall be visiting it again in May, (the month she died) as I live just 32 miles north of Scarborough.
 
 
 
Hi Geri,
I have a full set of the books dated 1895 including Mr's Gaskells biography of Charlotte. Unfortunate The Grand Hotel is now on the spot where they lodged in Scarborough.
and the church where Ann's funeral was held is now gone replaced by a Supermarket. The notice about Ann' death is in St. Marys Church which is next to the graveyard this was being renovated at the time of her death and could not be used for the funeral. Did you see the pictures I sent of the DVD and Book ? if you do not have them I really recommend you and any of your readers get them as they are excellent the DVD was filmed in the 1970's and stays very close to the real facts of the Bronte story
Tony
 
 
 
 
The book I have it myself, Tony
I use it almost as a Bronte ""bible"", the book is full of marvelous information
 
(Once in Christmas time I participated in a contest of the Bronte Blog
The price I could win this book
and...... I won
It happened several years ago, but I am happy with the book till now)
 
The DVD I saw it on the site of the Bronte Parsonage. I was doubting, do I buy it or not
Till now I didn't buy it
but you are making me excited again
 
 
 

vrijdag 27 februari 2015

Beautiful picture from the Bronte E-newsletter


With Bewick on my knee, I was happy’

 
The manuscript of Jane Eyre by Charlotte Brontë, who wrote the novel under the pseudonym Currer Bell – now believed to be after local patron Frances Currer. Photograph: Hulton Archive
 
A rare first edition of Thomas Bewick’s History of British Birds belonging to Frances Currer, the woman believed to have inspired Charlotte Brontë’s pseudonym of Currer Bell, has come to light.
Dubbed “England’s earliest female bibliophile” in Seymour de Ricci’s history of collectors, Frances Mary Richardson Currer’s library in her family home of Eshton Hall, Yorkshire, ran to 15,000 to 20,000 volumes. Among them lay Bewick’s classic of British ornithology - the work Jane Eyre is reading as Charlotte Brontë’s novel opens, and whose “enchanted page[s]” the author also celebrated in poetry.


With Bewick on my knee, I was happy’ … Charlotte Brontë and pages from British Birds. Photograph: Getty/Bernard Quaritch

Currer herself would have been known to the Brontës, said the antiquarian bookseller Bernard Quaritch in its catalogue for the edition: she was the patron of the Cowan Bridge School, attended by Maria, Elizabeth, Charlotte and Emily, and was known locally as a generous patron.
“It is thought that she was the ‘benevolent individual, a wealthy lady, in the West Riding of Yorkshire’ who gave £50 in 1821 to a fund to aid the impoverished and recently widowed curate of Howarth – Patrick Brontë,” said the bookseller.

Read all: theguardian/book-inspired-charlotte-bronte-bewick-history-british-bird

The Bronte Society


The Bronte Society would like to say a very big thank you for the wonderful response to our appeal for second-hand Bronte novels to send to pupils at Khemisti Middle School in Algeria. Such was the generosity of our members that we were able to send several copies of each of the seven novels, together with an edition of Emily's poetry and a copy of Gaskell's biography of Charlotte.

Brontë Country . Bradford.

The Telegraph and Argus reports that Brontë Country is one of the destinations selected as part of a new national tourism campaign. Brontë Country is among destinations across the district being promoted as part of a new initiative. Visit Bradford is taking part in a national campaign showcasing the region’s heritage. The venture is part of a VisitEngland project, which will include a series of national radio adverts. Several itineraries in the district will be spotlighted, including a visit to Haworth and the chance to experience life as a Bronte sister. Councillor Susan Hinchcliffe, Bradford Council’s executive member for employment, skills and culture, said: “We are delighted to be working with VisitEngland on this campaign to promote our heritage to visitors from near and far.
“Bradford has a rich and fascinating history and this is highlighted by the variety of experiences people can enjoy across the district this spring. "There’s something for everyone, from the great Victorian grandeur to the beauty of the moors. “People who wouldn’t normally consider visiting the Bradford district are going to find out about all the wonderful experiences we have to offer.”
If you'd like to see how much tourism has changed in the area, do take a walk down memory lane with Keighley News and reminisce about the local Brontë bus firm.

woensdag 25 februari 2015

Samantha Ellis, doing research for her forthcoming book about Anne Bronte.

Samantha Ellis, author of 'How to be a Heroine', has been in our Library this week, doing research for her forthcoming book about Anne Bronte.

 

maandag 23 februari 2015

Haworth History Tour

Amberley Publishing has just published a new book about Haworth:
Haworth History Tour
Steven Wood, Ian Palmer
Amberley Publishing
ISBN: 9781445646275
168 x 124 mm | Paperback | 96 pages | 120 illustrations | February 2015

Haworth is a picturesque Pennine village that is now famed for the Brontë family and the steam railway. Behind the tourist village of today lies a long history of people making a living from the uncompromising moorland of this area. Haworth History Tour takes the reader on a journey through the many changes the village has undergone in its long history. While some areas will seem relatively unchanged, many are now unrecognisable. The curious and nostalgic alike will delight in uncovering or rediscovering the roots of Haworth with the help of this wonderfully illustrated guide.

vrijdag 20 februari 2015

The Brontës, War and Waterloo.

THE TITLE of the new exhibition at the Brontë Parsonage Museum is The Brontës, War and Waterloo.

At first the connection between these may not be immediately apparent, however with the 200th anniversary of the Battle of Waterloo upon us this exhibition intends to bring to light the importance of war and the Battle of Waterloo on the Brontë family.

The eldest Brontë children, Maria and Elizabeth, had been born in 1814 and 1815 which was during the Napoleonic Wars. Though Haworth may seem now to be a quiet place, certainly far away from these battles on the European continent, it was not completely isolated as it was near the industrial Bradford. Despite the end of the Napoleonic wars, conflict and warfare were a part of society and Wellington was a family hero for the Brontës.

It is with this information that the new exhibition has been shaped, recognising the role of their heroes in their Juvenilia and later writings, and the role of war in life of the Brontës.

Usually this is a job that would be completed by the Collections team at the museum but this exhibition had a unique opportunity to work in conjunction with an academic studying the Brontës and their writing.

Once the panel copy has been collated, the text has to be edited and transferred to the text panels. These panels will have images and currently we are investigating options for these. At the same time objects are being picked, making sure each one fits in with the case and text panel theme. It is from there that the object labels will be written and printed, the Brontës and Animals exhibition will be removed and The Brontës, War and Waterloo will take its place on March 16. Read all: keighleynews

zaterdag 14 februari 2015

'Fair Ellen, Fair Ellen', 'Away fond Love' and 'Soul divine'

In Feb 1840, about six months after his arrival, Ellen Nussey came to the Parsonage for a three weeks stay. Neither she, nor the Brontë girls had ever received a Valentine card; so it caused quite a stir on the morning of February 14th. when they each received one. Of course, the culprit was the scheming Weightman. In his usual mode of conduct, he had made a bold attempt to add a little sparkle to the girls' lives, and in a vain attempt to disguise his handiwork, had walked the ten miles to Bradford to post them. He had written verses in each of the Valentines; however, only the titles of three of them are known, but these give a general idea of their content: 'Fair Ellen, Fair Ellen', 'Away fond Love' and 'Soul divine'. The girls were not to be fooled by the Bradford post-mark, and soon realised that the chirpy curate was the guilty party. However, being so delighted with that morning's events, the four conspired to write a poem which they promptly returned to Weightman



A Rowland for your Oliver
We think you've justly earned;
You sent us each a valentine,
Your gift is now returned.
We cannot write or talk like you;
We're plain folks every one;
You've played a clever trick on us,
We thank you for the fun.
Believe us when we frankly say
(Our words, though blunt are true),
At home, abroad, by night or day,
We all wish well to you.
And never may a cloud come o'er
The sunshine of your mind;
Kind friends, warm hearts, and happy hours,
Through life we trust you'll find.
Where'er you go, however far
In future years you stray,
There shall not want our earnest prayer
To speed you on your way. .


vrijdag 13 februari 2015

From Henry Rider Haggard to Anne Rice

Brontë-related theses and essays recently published:



Domestic imperialism in Charlotte Brontë’s Jane Eyre and Henry Rider Haggard’s She, a history of adventure Ataya, Nabila Adel, American University of Beirut, Department of English, 2013



Influence and Legacy: The Brontë Sisters and Anne Rice Alexandru-Ionuţ Micu, PhD Student, ”Al. Ioan Cuza” University of Iaşi



Read more on:

From Henry Rider Haggard to Anne Rice

maandag 2 februari 2015

Absolutely stunning

The Telegraph and Argus has an article on the original Brontë table being on show now that the Brontë Parsonage Museum has reopened as well as looking at what the new season holds.
A mahogany drop-leaf table where the Bronte sisters sat to write some of their greatest works is back home in Haworth.   Visitors to the Bronte Parsonage were able to see it back in its original setting today when the museum re-opened to the public after a short winter break with its collections refreshed. The artefact, where classics such as Charlotte Bronte’s Jane Eyre and Emily’s Wuthering Heights were written, returned to the parsonage on Thursday after leaving the Bronte's home in a sale that took place when Patrick Bronte died in 1861. It did return to the Parsonage on loan in 1997 to celebrate the 150th anniversary of the publication of Jane Eyre, but thanks to a £580,000 grant from the National Heritage Memorial Fund (NHMF) - secured by the Bronte Society - the table has finally been returned permanently. Rebecca Yorke at the Bronte Parsonage Museum said: "It's return is really significant. it's one of the most important literary artefacts of the 19th century. "We know from diary papers the sisters would walk round the table when their father had gone to bed to read each other what they had written every day. When Emily died Ann and Charlotte continued the tradition and then when Anne died, Charlotte did it by herself. It was a very particular part of their routine.
"When it arrived last week it was a beautiful table but now it has been dressed with the sisters' writing things and cups and saucers in the dining room where it would have originally been, it looks absolutely stunning."

Today's first visitor through the doors was greeted with a free guide to the Museum in celebration of the table's homecoming.        As well as the simple wooden table, visitors will also be able to explore other permanent collections - a current exhibition The Brontes and Animals and a new one called Heathcliff Adrift, which was specially commissioned and is part of the Museum's Contemporary Arts Programme this year. It is a collection of poetry by award-winning writer Benjamin Myers and follows the missing three years of Emily Bronte’s hero from Wuthering Heights, accompanied by a series of landscape photographs by Yorkshire photographer Nick Small. It looks at what could have happened to Heathcliff at that time when the industrial revolution was in its earliest days and the ragged landscape was under threat from the arrival of mechanisation. The exhibition opens on Saturday, February 7 and will run until June. The Brontes and Animals exhibition in the Bonnell Room will stay until March when it makes way for a brand new one giving a nod to the Bronte family's fascination with war and acknowledging the 200th anniversary of the Battle of Waterloo. Its curator will be Bronte scholar Emma Butcher. (Kathie Griffiths)

zondag 1 februari 2015

And there the table stands.

Efforts of the Brontë Society president to improve links with Haworth community

Keighley News reports the efforts of the Brontë Society president to improve links with Haworth community:
Brontë Society president Bonnie Greer’s latest efforts to improve links with the Haworth community have been welcomed by the parish council chairman.  Cllr John Huxley said he hoped the moves would benefit both the Brontë Parsonage Museum – which the society runs – and other organisations in the village.  He welcomed Ms Greer’s call for Haworth residents who were members of the Brontë Society to stand for voluntary posts on its ruling council. He said: “I applaud the society for opening doors to that sort of opportunity. I know there are people in the village who are interested in the Brontës.”
Ms Greer had invited nominations for council vacancies from people with skills in tourism/visitor attractions, press/journalism/marketing, IT/digital technology, and publishing.  Cllr Huxley said: “There are people in the village who possess those skills. There’s no reason why they can’t join. “I welcome that the Brontë Society recognises the local community has a part to play in maintaining the Brontë heritage.” Cllr Huxley was delighted that museum’s new operations manager was actively recruiting local people for a committee which would organise events to celebrate the 200th anniversaries of the Brontë sisters’ births.  He was also pleased that museum representatives were again attending tourism group Brontë Partnership. He said their expertise would be invaluable on other committees discussing Haworth issues.  He added: “That’s the sort of thing we want – to see the Brontë Society branching out.” Ms Greer made her rallying call to Haworth residents in a New Year address to members following a difficult year for the society, which saw wrangles over the organisation’s future direction and departures of leading figures.  She told members: “We must bring our membership age down in order to ensure that our beloved Society and Museum continue into the 21st century.” (David Knights)

vrijdag 30 januari 2015

Brontë table is now back at the Parsonage. “It was one of the most significant occasions during all my time at the parsonage.”

 

The Yorkshire Post reports that the Brontë table is now back at the Parsonage.
The dining table where the Brontë sisters sat to write some of their greatest works has returned to its Yorkshire home to stay. Staff at the Brontë Parsonage Museum in Haworth were on hand yesterday (Thurs) to welcome the artefact which arrived unscathed and on time - despite the extreme weather conditions sweeping the north of England.  Ann Dinsdale, collections manager at the Brontë Parsonage, who has been at the museum for 26 years, said: “It was one of the most significant occasions during all my time at the parsonage.” The table left the parsonage in the sale that took place when Patrick Brontë died in 1861 and returned on loan in 1997 to celebrate the 150th anniversary of the publication of Jayne Eyre. Thanks to a £580,000 grant from the National Heritage Memorial Fund (NHMF), the table where classics such as Charlotte Brontë’s Jane Eyre and Emily’s Wuthering Heights were written, has been secured by the Brontë Society for future generations to enjoy in its original setting.  Visitors can see the mahogany drop-leaf table from Sunday when the museum reopens.  Brontë Society & Brontë Parsonage Museum spokeswoman, Rebecca Yorke, said: “It arrived amid much excitement and anticipation. Because of the weather we were worried there might be hold ups on its journey. In 2016 we start celebrating the bicentenaries of the birth of the Brontë siblings. This is a really great start to the bicentenary celebrations.”

donderdag 29 januari 2015

Documentary showing the 'real' locations of Brontë novels

Further news on the documentary showing the 'real' locations of Brontë novels, as reported by The Telegraph and Argus:
The team behind a documentary revealing the real locations which inspired the Bronteë sisters has offered walking tours to people who are willing to be filmed for the production.
The documentary is being made by Oxenhope resident Oliver Chapman and will present the outcome of research carried out by Ian Howard and Josh Chapman, who is Oliver’s brother.  Mr Howard, who is also from Oxenhope, said that a local theatre group and a school had come forward to take part in the Haworth tour and ultimately be featured in the documentary itself. “The tour will be filmed as part of the documentary we’re making, so everyone should be prepared for the footage to be used on television,” he said.  He said that he did not require very many more people for the tour, though he added that a small number of additional individuals who were willing to participate could still be accommodate.  He said the recent snow had not discouraged him from visiting the remote locations on the moors being filmed as part of the documentary. “No one else goes up there when the weather is like this, so it’s nice to have that solitude,” he said. bronteblog

Ccelebrations

The Telegraph and Argus reports the visit of author Tracy Chevalier to the Brontë Parsonage Museum.
Award-winning author Tracy Chevalier has visited the Brontë Parsonage Museum in Haworth.
The novelist, whose novels include Girl With A Pearl Earring, discussed plans for the forthcoming Brontë bicentenary celebrations.  The celebrations will start in 2016, the 200th anniversary of Charlotte Brontë’s birth, and will run until 2020, to mark the births of Emily and Anne.
The museum, which is due to reopen on Sunday after its winter break, said further details of the celebration would be unveiled later in 2015.

January in Haworth photo taken today..

woensdag 28 januari 2015

The family dining table where the Bronte sisters wrote some of their classic novels has been saved for the nation.

 
A grant of more than £580,000 has secured the table where the family gathered to write and share ideas, and where books such as Charlotte Bronte's Jane Eyre, Emily's Wuthering Heights and Anne's The Tenant Of Wildfell Hall were written. 
The table, which bears the marks of use including ink blots, a large candle burn and a small "E" carved on to its surface, was sold after the death of their father Patrick in 1861, remaining in the same family ever since.
Without the grant from the National Heritage Memorial Fund (NHMF), which exists to save the most outstanding parts of the UK's national heritage, it would have been sold at public auction but thanks to the money it has now been secured by the Bronte Society.
read more: telegraph

dinsdag 27 januari 2015

A writing desk and other items from the home of the Bronte sisters.

The desk, which may have been used by Charlotte Bronte to write her novels, were  up for sale as well as her sister Emily's art box and geometry set.

The items belonged to William Law, an avid Bronte collector who bought them from Charlotte's widower, Reverend Arthur Bell Nicholls. He even installed metal plaques on them to ensure they were not thrown out or destroyed.

Her paint box and geometry set - inscribed with her initials - would have been one of the few items of entertainment she owned.
Ann Dinsdale, Collections Manager for the Bronte Parsonage Museum, explained: "They are very important pieces, especially anything relating to Emily Bronte.
"Because she was never famous during her own lifetime very few of her personal items or manuscripts were kept and are extremely rare."  Read more: telegraphBronte-sisters-desk

zondag 25 januari 2015

Snow on Top Withens.

The table is back

Keighley News reports that an important piece of Brontëana has been acquired by the Brontë Society:
The society has bought the simple mahogany drop-leaf table with a grant of £580,000 from the National Heritage Memorial Fund  The society said the desk was one of the most evocative and significant literary artefacts of the 19th century. The table at which the Brontë sisters wrote was the focus of domestic life in the Brontë household at Haworth Parsonage, and where the siblings gathered to write and discuss their stories, poems, and novels. The table bears the marking of the family’s daily use with ink blots, a large candle burn in the centre, a small letter ‘E’ carved into the surface, and beneath the table are ownership markings, possibly in the hand of Charlotte Brontë’s husband, Arthur Bell Nicholls. 
The table was also featured in an 1837 diary paper sketch by Emily, showing herself and Anne writing at the table with all their papers scattered before them. The table was sold during the sale of the household effects of the Parsonage, which took place after the death of Patrick Brontë in 1861. The table is listed as lot 154 in the hand-written sale catalogue, held at the Brontë Parsonage Museum, which shows that it was purchased by Mr Ogden for the sum of £1-11-0. The Ogdens sold it to another family, within which it has been handed down as an heirloom, before the museum was approached for ownership. bronteblog
Ann Dinsdale, the Collections Manager at the Brontë Parsonage Museum, said: “We are extremely proud and excited to be bringing the Brontës’ table back to its original home.
“It is one of the most important literary artefacts of the 19th century and displaying it in the Parsonage dining room marks a wonderful commencement to our programme of activity marking the forthcoming bicentenaries of the births of the Brontë siblings.”
The table was loaned to the Brontë Parsonage Museum for a short period in 1997 to mark the 150th anniversary of the publication of Jane Eyre and Wuthering Heights.
Carole Souter the chief executive of the National Heritage Memorial Fund (NHMF), said the Brontë sisters were internationally revered for their contribution to English literature.
She said: “Novels which have enthralled millions of readers were imagined and written at this table and seeing it brings to life the creative process behind the famous works.
“NHMF trustees felt it important that it should be saved for the nation so that it can be displayed to the public in its original setting.” 
Heritage minister Ed Vaizey said: “The Brontës’ family dining table has a close connection with some of the most famous English literature written in the 19th century.
“The National Heritage Memorial Fund grant recognises the importance of keeping these literary artefacts on display and it’s wonderful that visitors to the Brontës’ former home in Yorkshire will now be able to enjoy it in its original setting."
The table will be displayed in its original position in the dining room at the Parsonage where it can be viewed by the public from the February 1, when the Brontë Parsonage reopens for the coming season. (David Knights)
brontesisters/ table
bbc./news/Bronte table brought back to Haworth Parsonage 

vrijdag 23 januari 2015

Rev Geo. De Renzy is in want of a situation

 
 
 

 
I received from Anne from the weblog
an email with this information:
 
For  my Bronte research I'm reading though Yorkshire National School Reports  for 1853-54   via  Google . It's amazing what is now online.

In my reading  I came upon a very interesting  advertisement  with a familiar name and place. The ad appears in the April 1854  edition of the monthly  magazine  for "  The  National  Society for Promoting  the  Education  of the Poor throughout  England and  Wales"

This  1854 ad  states Rev George De Renzy  is seeking a  new situation . Of course
Mr. De Renzy  is the gentleman who replaced  Arthur Bell Nicholls  as Haworth's curate in May of 1853

This advertisement  tells us a number of things. First that  Rev. De Renzy was looking to leave Haworth at least from March of 1854, since his ad appeared in April and  it had to be submitted in the preceding  month.

 
It tells us he was married which I didn't know. I have since found out he married Emily Mackley on January  19. 1854 so while he was in Haworth.

The ad  shows  he was not  looking  just within the Church for a new  position, but would take a  teaching only job as well. Then it reveals Mr. De Renzy was trained at  Westminster College. This was  a teacher training institute that  was founded in London in 1851 and trained teachers for Methodist schools.

The ad also says he would rather stay in a country setting and that satisfactory testimonials can  be given.

Fascinating what one can find on the web!
 
Thank you Anne.
 
Indeed it is fasinating wht one can find on the internet.
We are going on searching for it. 
Thank you for sharing. 
 
__________________________________________________________________________
 
De Renzy, George (b. 1827)
 
A troublesome young clergyman who served as Patrick’s curate 1853–4, during the row with Arthur Bell Nicholls over his wish to marry Charlotte. When Patrick reluctantly agreed to the proposed marriage, de Renzy seems to have resented the consequent termination of his curacy. He complained to John Brown and others, and insisted on a long holiday at the end of his term, so that Patrick would be without a curate during the honeymoon. He was “perfectly smooth and fair-spoken to Papa,” Charlotte said, but he continued to “give what trouble he can” to Patrick whose nature, Charlotte said, was against “harsh decided” measures (to EN, 14 May and 7 June 1854). He left Haworth four days before the wedding  blackwellreference
 
Photo woman: people/Emily-DeRenzy

donderdag 22 januari 2015

beautiful picture

What a sweet gesture


Today, as in previous years, we've received flowers from an anonymous well-wisher in recognition of Anne Bronte's birthday, which was on Tuesday. Thank you anonymous well-wisher! Come inside for a cup of tea and a sit-down next year

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

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